Where I discussed how graphic design commission works enter in public collection, at the same time as document, as artwork and in a way as archives, and the issues of that type of objects “Graphic design in public collections: the case of commissions”, Musée des Beaux-arts de Rennes, organized by Yann Sérandour and Jocelyn Cottencin, Rennes 2 University, 2023 Where I shared the “Origins of Centre de création industrielle, Laboratoire d’Histoire permanente (seminar), Centre Georges Pompidou, organized by Antoine de Baecque et Romain Lacroix, 2023 Where I talked about the origins of my research project on the collections, the questions I asked myself as a graphic design student and then as a researcher, methodologies I adopted for my doctoral research, my investigation at Cnap, and some of the issues highlighted in my PhD thesis “Graphic design collections (in France): a study object”, École supérieure d’art et de design d’Amiens, organized by Sébastien Morlighem, 2023 Where I presented a synthesis of my doctoral research “The making of a heritage: graphic design in public collections in France”, Institut supérieur d’art de Toulouse, 2023 Where I showed how we reactivated graphic design archives with students as part of the projects New Hoarders and Haydée “New Hoarders: Reactivating the graphic design archives”, Le Signe, National graphic design center, Chaumont, as part of Post-Scriptum : épisode deux, ESANITRULO® organized by Valentin Garcia, 2022  Where we explained with Clémence Imbert our research about the Centre de création industrielle Genesis and Birth of the Centre de création industrielle”, ENS Paris-Saclay, ENSCI-Les ateliers (seminar), organized by Claire Brunet and Catherine Geel, 2018 Where I shared my first doctoral research steps “Graphic design in French public collections. Locations, acquisitions, conservation treatment”, École des hautes études en sciences sociales (EHESS), Publishing practices and policies seminar of Valérie Tesnière, 2018 Where I presented my doctoral subject to others PhD candidates “The idea of collecting is the opposite of purity”, École des hautes études en sciences sociales (EHESS), Béatrice Fraenkel’s seminar doctoral, 2017 Where I began to question about graphic design collections “Graphic design collections, from ephemera to artwork, from amateur to museum: what are the stakes for graphic design?”, Rencontres de Lure, Lurs, 2013.  

Collect (excerpt) from my Master project at the Haute école des arts du Rhin, 2011. This project was at the origins of my doctoral resarch on the graphic design collections. ©Caroll Maréchal

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